neweurasia.net » Masterpieces. Banned. Hidden.; Art documentary comes to Tajikistan

Posted: January 21, 2012 in Art, Economy and Resources, Geography, History, International, Language, Politics, Region, Religion, Tajikistan
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neweurasia.net » Masterpieces. Banned. Hidden.; Art documentary comes to Tajikistan.

In their invitation to the Tajik screening event, Silk Road Media explaines the documentary to be:

“…about a museum in the parched hinterland of Central Asia that contained the world’s largest collection of Russian avant-garde art during the time of the Soviet Union.”

Silk Road Media continues:

“The idea of the film is to show the story of how a person’s life turned out to be the preservation of a whole epoch of art, which would otherwise have been lost for evermore because of Soviet repression.”

Karakalpak Museum of Arts: Home of the Savitsky Collection explains the “Forbidden” nature of the museum’s art:

“…the Museum’s collection of Russian avant garde is the only one that was initially condemned officially by the Soviet Union and, at the same time, financed partly by it, albeit unwittingly. Evidently, Nukus’ status as a ‘closed’ city and, especially, Savitsky’s good relations with the Karakalpak regional authorities enabled this to happen.”

This December 2011 Tajik screening of “The Desert of Forbidden Art” is not the first time for the documentary to be seen in the region. On November 18th, 2011 the film came to Bishkek, Kyrgyzstan’s University of Central Asia (138 Toktogul Street). The university shares a synopsis of the film:

“The incredible story of how a treasure trove of banned Soviet art worth millions of dollars is stashed in a far-off desert in Uzbekistan that develops into a larger exploration of how art survives in times of oppression…”

In August 2010, EurasiaNet.org reported on the documentary hitting the silver screen – making mention of how Savitsky challenged authority and refused to let censored art lay in shadows, hidden from the world:

“Thanks to Nukus’ remoteness from Moscow politics and local officials’ ignorance of art, Savitsky collected some 40,000 paintings by Soviet artists banned for ideological reasons, artists who refused to paint propaganda in a social realist style.”

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